In Ibadan, a feast for Okinba
Launko
By SOLA BALOGUN
Wednesday, May 7, 2008
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Professor
Femi Osofisan
Photo: THE SUN PUBLISHING
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For rejecting the ‘Feudal Image’ which was temporarily
bestowed on him during a lecture organised recently in his
honour, Professor Femi Osofisan, renowned playwright, scholar
and dramatist symbolically reminded the audience inside the
Arts Theatre, University of Ibadan, about his mission in the
theatre. And as the leading voice of his generation of dramatists
in the protest against feudalism and oppression, Osofisan
could not but disclose the root of his theatre of commitment.
He expressed his disdain for feudalists, saying “no
man should be a slave to another, all men are born equal”.
It was in recognition of these virtues that Theatre Arts students
of the University of Ibadan, decided to celebrate Osofisan.
They organised a series of events, which culminated in an
award presentation and a lecture delivered by Prof. Olu Obafemi,
a fellow dramatists, scholar and bossom friend of the celebrant.
Expectedly, Osofisan’s virtues as a prolific writer
and committed dramatist were extolled, while some of his friends-
Prof. Akinwunmi Ishola, Tola Adeniyi, Bayo Lucas, Chief Yemi
Elebuibon-paid glowing tributes to him. Infact, a trio of
Akinwunmi Ishola, Tola Adeniyi and Elebuibon ‘conspired’
to bestow the title of Imodoye(knowledge gains vision) on
Osofisan, thus adding to the celebrants long list of titles
and honours.
The organisers- Association of Theatre Arts Students(ATAS),
led by Bamiji Olaiya, also paid homage to their mentor in
various forms. Some of them read excerpts from Osofisan’s
works while others sang and danced to songs drawn from the
playwright’s rich repertoire.
While presenting the sceptre-award to Osofisan, Prof. Akinwunmi
Ishola described intellectuals as people who engage in academic
soliloquy to a wider audience. The writer explained Ishola,
thus sustains societal development by building images in the
minds of the citizenry.
Ishola who berated leaders for their greed and insesivity
to people’s aspirations also urged writers to set standards
for those who operate the society. His words, “we should
plant humane qualities in the minds of the young generation….
we can do this by selecting the right songs, dances, arguments
and cloths to wear.”
Ishola, who is also an accomplished writer and friend of Osofisan
described the latter as a storyteller. He went further to
illustrate the role of writer in society with a story about
two birds-Tintin and Olongo. Olongo betrayed his bossom friend,
Tintin by impregnating the latter’s wife and the king
called for Olongo’s head. Olongo tried to feign madness
but could not escape justice. Olongo, according to Ishola,
is symbolized by selfish leaders who usually betray the trust
reposed in them by hapless citizens.
In his lecture tagged Femi Osofisan and the rise of committed
Theatre in Nigeria, Prof. Olu Obafemi described Osofisan as
an eclectic and composite personage-creative writer (poet,
playwright and novelist), essayist, polemicist, musician,
dancer, scholar, social critic, columnist, teacher and humanist.
Beyond these, the celebrant was commended for using his drama
to fight for the poor and the masses, aside seeking the path
and enthronement of truth.
Said Obafemi, “Osofisan’s life and works reveal
the Herculean business of the artist, who is the arrow-head
of sensivity, compassion and the collective memory; to elucidate
and paint the canvass of social pain as well as etch a visionary
path towards communal healing and rebirth.”
From such works as A Restless Run of Locusts(1969) to Morountodun(1983)
and now Twingle Twangle: A Twyning Tale(1995) and Many Colours
Make the Thunder King(1997); Obafemi said “Osofisan
has consistently enlisted his art in the service of the down-trodden
and alienated masses …. The ardent message of his committed
art is the urgent need for the ‘wretched of the earth’-the
mere pawns in the political elite’s predatory game of
‘hide and steal’- to liberate his/her consciousness,
in readiness for the imminent and inexorable struggle for
regeneration and social rebirth.”
Other distinguished guests in attendance during the ceremony
compered by Adeoye Shobakin and Ifeoma Elekwuachi were Dr
Remi Adedokum, Dr Lanre Bamidele(HOD Theatre Arts): Dr Matthew
Umukoro, and Dr Tunde Awosanmi who gave a vote of thanks.
In his characteristics manner, the celebrant thrilled the
audience with a story entitled Sikobe, which was authored
by maverick singer Tunji Oyelana as a warning to people on
the dangers of excessive celebration.
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