Some people say I’m lying when I tell them I’m not rich – Beautiful Nubia
By SEGUN AJAYI
Friday, April 25, 2008

• Beautiful Nubia
Pix: Sun News Publishing

Veterinary doctor turned musician, Segun Akinlolu, a.k.a Beautiful Nubia, marches on with his folk music, geared towards socio-re-engineering.

The artiste, who has been in-and-out of the country on concert tours since last year, is staging a free concert tonight at the Unity Centre, GRA Ikeja, Lagos, to launch a new album, as well as fete his growing fans with good music.

Restless, but focused, Beautiful Nubia, who shot into limelight with his album Jangbalajugbu which featured the hit track, Owuro lojo, says that he has a calling to play music. Although, Segun is fulfilled as an artiste, he confesses that sometimes he feels incomplete when he is unable to reach out to the less priviledged materially.

The musician, who wears a dreadlock, expressed hope for the music industry in Nigeria, stressing that, not until the industry is better regulated in Nigeria would musicians get adequate compensation for their effort. Single, but not searching, the artiste reminisces his journey in the last one year, marriage, his new club and the inspiration behind the new album, among others.

My itinerary
I am always travelling. I am a very restless person. Ironically, I’m always having shows. It’s just that people hardly hear about them. Even in Nigeria, I’m always staging concert but I don’t hype them. Some people might not like it, but that has been my approach to the business. Since last year, I’ve been very busy, playing music both in Europe, North America, U.S.A and Canada. In July 2007, I was in the U.K on a mini-tour. I returned to Nigeria in September to record the new album. After that I travelled to Canada to master it.

Feedbacks
I’ve adjusted to receiving different types of responses. Most of the responses I get have been positive. Sometimes, I get negative responses from a member of audience who is not very appreciative of what I am doing. I can say that I have received like 95% of positive responses from audiences who are appreciative of my music. For instance, after I released Kilokilo, a whiteman did something like an entry on a website. He did not know me which shows that the name is growing. When I look at where I am coming from that a boy who used to live with his grandmother in Oke Bola, Ibadan, now has fans even as far as Japan, I will say that is huge for me.

Commercial success
Like I used to tell people, I am a musician, first and foremost. I’m not a marketer or a promoter. I am a music maker. If there was real music in this country, promoters won’t be doing what they are doing at present. It’s not all those who call themselves promoters, who are promoting music in the true sense of the word. For example, if I have a professional manager, a booking agent, and promoter, when I do my beat, I expect them to take the rest. Right now, what we have done is to get somebody to market all our works and that person is Alloy Productions. I believe this will give us more visibility than before. You know I told you that I set up a company, called Eniobanke Music. That was the platform through which I used to market my music. We realized that we were limited in terms of funding and in terms of our reach. So, over time I’ve been trying to find someone whom we can trust and Alloy Productions came our way. We have signed an agreement that beginning from March, he would start marketing our works. Now, the problem of distribution is off my neck. If anybody has problems getting our music, Alloy Productions should be held responsible.

Collaborations
My own idea of collaboration is not restricted to music artistes alone. I can collaborate with a painter, writer, or a poet. I am open to collaborations if it is for a purpose. There has to be a good reason for the cooperation, not just because of money. If an NGO wants us to raise money for them, I can do that. But you know that my music is not artificial. By trying to collaborate with another musician to do a particular kind of music will make my music artificial. However, I use other people’s voices. In Kilokilo, the title track of the latest album, there is a female voice that I used in one of the songs. In Awilele Part 1, I actually did a duet with a lady. I’m not against duets. I also wrote a song in the latest album entitled: Agba wa bura. It was like a poem. I had an elder artiste, Uncle Olu Okekanye, in mind to read the lines but I could not reach him. I don’t mind such collaborations. I am looking forward to a time when artistes of like minds will come together and organize concert for certain causes.

Latest album
The fact that the virtue of honesty, hard work and meaningful contributions to society, do not guarantee success, as against what we learnt as little children gives a cause for concern. Unfortunately, those things we were taught as children are no longer working. I found out that many of my friends with whom I shared the dream of evolving a better society have all crossed over to the ‘other side.’ That is why I am saying, people told us that this are the way things should go, and that evil will not go unpunished, but I have not seen that happening now. Rather, we have seen evil flourishing. The music came out of anger or desperation for change. All along, my music has always contained political messages, and this has not gone down well with some of my fans who prefer that I restrict myself to cultural matters.

Reach
I am surprised when I see the way my music connects with people at different levels. In the ghettos, and the highbrow, Ikoyi and Victoria Island in Lagos, people easily identify with my music. There was a time I travelled to Igbara Oke, in Ondo-State. In the course of the journey, I stopped a young girl to direct me to another village. When she looked at me, she shouted Ah! Beautiful Nubia. It was amazing and made me feel that this thing we started small has suddenly become so huge.

How rich is B.N?
The responses I get are varied. Some people think that I am pretending not to be rich. The truth is that, this is who I am. Some people even ask me if I’m trying to be African. Again, I come across a lot of young people who tell me that they are impressed by the way I comport myself. When I performed at Ife during the last Ife Festival of Arts, after the show, some people wanted to shield me from the students for security purposes, but I stopped them. I told them I wanted to hang out with the students and nothing was going to happen.

The security guys tried to advise me against it warning that in the process, I might lose some of my personal effects. I told them that I didn’t wear a wristwatch or necklace. I don’t wear a wristwatch or neck chain when I go to perform. Eventually when they came around, some of them confessed that they love my simplicity and the fact that I do what I preach. I usually refer to late Chief Bola Ige as my model of humility. He was by every standard a prominent Nigerian, yet you could have access to him anytime. Some people might think that he did that for political reasons but I realised over time that that was his nature. I emulate him and I can’t be haughty or arrogant.

Role models
As a growing child, my heroes are sports stars like Chief Segun Odegbami, late Chief Bola Ige, Mohammed Alli, late Fela Anikulapo Kuti. What Fela stood for was what I admired, not necessarily his music. Bola Ige would speak English language, and after that speak Yoruba fluently. So, as young boys growing up in Ibadan, we all loved him.

Musicians no longer play instruments
Don’t forget that I grew up in the era when there were bands. So, when I came about playing music, I never imagined that I would be one guy on stage miming C.D. When I recorded my first album, I didn’t like it at all because we played to the keyboard. Everybody has been telling me, this is the way of the world and we should follow suit. I never enjoyed that album because I didn’t have a band. There is nothing wrong in being able to play a physical instrument. The voice, to me, is the most important instrument. If you listen to my music, all the instrumentation comes with experience and talent. I believe that if music is going to grow, you have to perform live with instruments. I find digital recording very restrictive. I call it chiseled music.

My typical day
When I wake up in the morning, I exercise my body for about an hour. I don’t normally eat in the morning. I either take juice, oranges, or mangoes. If I find myself where there is internet, I will check my mails because I receive tons of mails on a daily basis. So, I try to reply everybody. If there is rehearsal or show, I will also attend to it. In a way, I feel that I am very lucky because I have friends who come to see me frequently. Going through my e-mail messages and the kind of feedback I get, gives me fulfilment. Playing music comes to me like seeing your dream actualised before your very eyes. I am living my dream. I don’t really have much money because I grew up managing a little. So, those were the values I grew up with. But, when I feel inadequate is when I can’t assist those I think that I should assist because I don’t have enough. But I know that the money will come eventually.

Women
I have a private life which I don’t discuss. In a way, my private life detracts me from what I do. If I started telling people that I do this or that, people might start to think about the man than the message. Some of my fans who knew me personally visit me at home. I have received phone calls of people who tell me that they love my music, and would love to meet me personally, I would only ask them to come to my show. If the person insists that she wants to come to my house, I would not stop her, she would get there to meet so many people. It’s always difficult for an artiste to balance his private life with public life, but I am trying to make the best out of it.




 

 

 

 

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