Friday, April 19, 2024

Literary Review

At Alexis Galleries, eloquence in Ezeigwe’s  Monkey Business 

Imperfectly Awesome: A Celebration of resilience and self-acceptance

FOLKTALE: Why the tortoise has a broken shell

Ezeife’s unfulfilled dreams as ex-governor takes final bow

Empowering creators: Frank Itom’s path from boredom to content creation innovation

Soludo didn’t ban extra moral classes in Anambra –Chuma Udeh

The Rise of Gas earns corporate endorsements

Temilade Adelaja's Behind the Viewfinder: Subtleties in visual tales

COVID-I9: Nigerian writer swindled of $25,000

Professional revenge

POEM: Jimi Solanke –– Singing and dancing, still...

200 artists dazzle with 600 works at +234 Art Fair

Charles Osezua’s The Rise of Gas: From Gaslink to the Decade of Gas to be unveiled

POEMS

POEMS

In fresh themes, Adesola’s portrait art captures black women

Azuh Arinze swells his oeuvre with two new book

POEMS

Ngozi Chuma-Udeh: Education must be placed on doorstep of every citizen

My gender is humanity

Brooks' hunger for home climaxed with Omówálé

My aim is to host unified world class festival – Segun Akanni

Unveiling the mystery: Reasons behind postponement of Lagos Photo Festival

‘Go back to the roots, write in African tongues’ – Usman

PMCA elevates feminine narratives in 6th miniature exhibition

Blend of beauty, art, fashion at A107 Galleries

Exploring the rich cultural heritage of Ndoni people

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