Denzel Washington hit the bulls eye again, “The Magnificent Seven’’, the Oscar-winner’s first western film, topped the box office, picking up a solid 35 million dollars.
Hollywood’s star system had shriveled in the past decade, with few new talents emerging to reanimate the ranks and stand alongside Leo and Julia and Johnny and George and Brad.
Some of their stars had dimmed, but Washington’s still shines brightly. He hasn’t had a film open to less than 20 million dollars since 2007’s “The Great Debaters’’.
“He will be back on screens at the end of the year in “Fences,” an adaptation of August Wilson’s play, that he directed and stars in alongside Viola Davis. It is expected to be an Oscar contender.
“The Magnificent Seven” easily snagged the crown from “Sully,” the retelling of the “Miracle on the Hudson” landing that topped the box office for two weeks.
The drama slid to third place with 13.8 million dollars, bringing its stateside total to a healthy 92.4 million dollars.
“Storks’’, an animated comedy from Warner Bros., came in second with 21.8 million dollars.
It’s a disappointing result given that the picture had been tracked to open to 30 million dollars or higher.
The film centers on a group of storks, who have transitioned from baby delivering to hauling, packed for an e-commerce behemoth.
Andy Samberg, Kelsey Grammer, Jennifer Aniston, Keegan-Michael Key, and Jordan Peele are among the recognisable voices providing some of the film’s aural texture.
The film cost 70 million dollars to produce and is part of Warner Bros. effort to reinvigorate its animation division after the studio scored a hit with 2014’s “The Lego Movie.”
It had more or less abandoned the genre to the likes of Disney and DreamWorks Animation, before undergoing a course correction.
“The Magnificent Seven’s” success is welcome news for Metro-Goldwyn-Mayer, which was body checked this summer after “Ben-Hur’’.
Its 100 million dollars-plus Biblical epic, collapsed at the box office, resulting in at least 70 million dollars in losses for the studio and its production co-financiers.
Earlier in the month, MGM reduced its annual profit projections by roughly 50 million dollars because of “Ben-Hur’s” failure.
But “The Magnificent Seven” counts as a win for the company. It also proves the viability of remaking older films, provided there were some novel spin to provide.
In this case, Washington and Director Antoine Fuqua were able to stage balletic shootouts that rivaled those in John Sturges’ original 1960 film.
They also played up the diversity of their cast, rounding out the cast of mercenaries with South Korean actor Byung-hun Lee, Mexican actor Manuel Garcia-Rulfo, and Native American actor Martin Sensmeier.
That multi-cultural aspect seemed to resonate in a post-#OscarsSoWhite era. Sony Pictures distributed “The Magnificent Seven” and teamed with MGM, LStar Capital, and Village Roadshow to finance the 90 million dollars production.
“Bridget Jones’s Baby” took fourth place with 4.5 million dollars, pushing the romantic comedy’s domestic total to a lackluster 16.5 million dollars after two weeks of release.
“Blair Witch’’ rounded out the top five, earning just fewer than four million dollars and bringing its total to roughly 16 million dollars.
In limited release, “The Dressmaker’’, an Australian comedy with Kate Winslet, opened to 80,522 dollars in 38 locations.
Broad Green is distributing the film on behalf of Amazon Studios.
Disney’s “Queen of Katwe,” an inspirational drama about a chess prodigy from Uganda, debuted in 55 theatres to 305,000 dollars.
It would expand next weekend to roughly 1,500 locations.