Friday, March 29, 2024

literary review

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Azuh Arinze swells his oeuvre with two new book

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POEMS

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Ngozi Chuma-Udeh: Education must be placed on doorstep of every citizen

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My gender is humanity

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Brooks' hunger for home climaxed with Omówálé

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My aim is to host unified world class festival – Segun Akanni

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Unveiling the mystery: Reasons behind postponement of Lagos Photo Festival

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‘Go back to the roots, write in African tongues’ – Usman

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PMCA elevates feminine narratives in 6th miniature exhibition

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Blend of beauty, art, fashion at A107 Galleries

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Exploring the rich cultural heritage of Ndoni people

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Realism, transformational possibilities and alienation in Joshua Omeke's Joe's Collectanea

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Reminiscences of Emeritus Professor Emevwo Anselm Biakolo (1957 – 2024)

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Onyeka Nwelue joins Katalin Mund Agency

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No place like home: How to invest in Nigeria

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Renown author proffers solutions to Nigerian public service

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Winners emerge for 2024 Akachi Ezeigbo Prize for Literature

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Omodamwen’s Beyond Mimesis unfurls fresh sculpture

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Eight female artists storm Windsor Gallery with a group exhibition

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Akachi Ezeigbo Prize for Literature moves to final stage

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Chibok Virgins reminds us of missing Chibok girls

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In Ibadan, writers tasks security agents

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Recreating African folk tales in 21st century

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Cash Akinyemi Onadele mentors youths on literature

NLNG trains  women journalists  in digital  communication  skills

NLNG trains women journalists in digital communication skills

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Wilson Orhiunu: In England, I mix Medicine, Literature, culture

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Nigerian publishing industry